Yet to be added: Stardream , Madres Paralelas , Life of Chuck, Shell , Swan Song…, Every 2020 film viewed. Shanghai, 1949: Prostitutes Qiuyi (Wang Ji) and Xiao'e (He Saifei) are rousted from the swank Red Happiness Inn and taken to a reeducation center. As the movie begins, the prostitutes of the Red Happiness Inn are taken onto canal boats to be moved to a “re-education center.” Dressed in their bright silk gowns (again against gray backgrounds), they move calmly, with dignity. 5.0 out of 5 stars Get it, Girl! Abrasive and often bleakly funny, the film is anchored by an unrestrained lead performance from Wendi McLendon-Covey as a Type A PTA mom who engineers her own absurd downfall, one well-intentioned decision at a time. She goes to a convent, shaves her head, and becomes a nun. ‘Blush’: Film Review Reviewed at Sunset Screening Room, Los Angeles, Jan. 15, 2019. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. More details at Copyright © Fandango. Eventually, however, she is forced to leave by the mother, and she begins an odyssey through Beijing that dramatizes how few choices she has.

Sign up here. She goes to a cousin's house, but he will not take her in. Kate Alberts Amy Anderson Kristjan Aru Jocelyn Ayanna Kate Blumberg Elaine Brammell Max Burkholder Lucinda Clare Catherine Curtin AprilAnn Dais Naomi Ekperigin Imogene Elias Ted Elrick Sameer Ali Khan Theresa Laib Anna Lamadrid Steve Little Wendi McLendon-Covey Meredith Michal Tu Morrow Chris Pentzell Leonora Pitts Michael Rivkin Sheila M. Robinson Keri Safran Graham Sibley Chok Suwanavisootr Phylicia Townes PaSean Wilson

And a few undistributed…. i have a feeling i'm not supposed to feel as represented by this as i do, I just love watching people’s lives fall apart. This Chinese variation on the Hollywood women's picture cries out for larger-than-life diva-tude, but settles for shrieking histrionics.

3 people found this helpful. After quick-cut montages of her arduous morning ablutions set to Chopin sonatas, we watch Cathy as she helicopter-parents her distant teenage daughter Tara (Kate Alberts); fights in vain for the slightest bit of attention from her husband Matthew (Steve Little); rules a school parent volunteer group with an iron fist; and even picks up litter on the roadside with alarming intensity as she power-walks through her dull bedroom community. If the whole movie had kept the momentum from the first half it would’ve been excellent, as it is though, it’s worth watching for WMC and her great performance and that’s kinda it. The stone tiles are dark blue-gray or black, and completely fill the screen.



The visual textures are adroitly familiar, but the director never loses track of his two leads: the sex scene between the two young women tumbles through often contradictory moods and their distinct uncertainty before capturing their pleasure together. Learn more about the NFMLA Monthly Film Festival here. Learn how your comment data is processed.

(Also at San Sebastian, Reykjavik, Chicago, Warsaw, Gothenburg film festivals.) trashy fun if it weren't for all the vast, static long shots so cluttered that it's hard to distinguish the characters from the bales of cotton. ... Blush is two movies rolled into one. The sexual, psychological, and moral unraveling of an obsessive-compulsive suburban mom. In the end, BLUSH leaves the impression that the worst consequence of the People's Revolution, was that pretty women had to crop their hair and wear unflattering clothes. Show All… There is such a tactile pleasure in the visuals of the new Chinese movie “Blush” that only after I thought back carefully through the story did I realize how much better it could have been. And then the three lives come together again, in an unexpected and bittersweet way. and the Terms and Policies, His marriage is torn apart by his jealousy and Xiao's hysterical demands (they have a screaming match terrifying in its intensity). Clearly, Cathy’s life could use a shake-up, and the film is at its cleverest when it keeps upending expectations as she ingratiates herself into the family’s lives. In the end, BLUSH leaves the impression that the worst consequence of the People's Revolution.

Very weird movie this one. and to receive email from Rotten Tomatoes and Fandango. It’s been too long since a film has me deeply gazing at the credits, reevaluating my life. As much as Cathy plants the seeds for her own mounting crises, she’s a predominantly reactive character, and as the film goes on, scene after scene forces her to stumble through some beleaguered response to some fresh hostility or random setback. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. The sexual, psychological, and moral unraveling of an obsessive-compulsive suburban mom. End of the year lists will be announced towards the end of the year it honestly depends on how many…, Hendo (The Movie Journey Podcast) 394 films 6 Edit, Again like last year, let's stick to what the good members of Letterboxd think and judge if the movie is…, Obviously the 2020 release schedule is in a state of chaos right now, so this is going to be difficult…, Taking on my fourth year of this annual challenge, I will again be viewing films by female directors at a…, List constantly being updated. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. The movie, directed by a woman (Li Shaohong), sometimes seems to argue, however, that marriage is the only real solution to the character's dilemmas, and indeed after Qiuyi marries Old Feng, owner of a nearby teahouse, things seem to smooth out for her. They lounge in patio furniture in the front yard!)

Get the freshest reviews, news, and more delivered right to your inbox! I've always found her to be one of the most underrated comedic actresses period, but this is a revelation.
She agrees to cat-sit for her despondent, recently widowed sister (Catherine Curtin), and while she’s over at her house — cleaning it from stem to stern, naturally — she can’t stop taking notice of the loud, messy family across the street. ... 30 minutes in to this movie and I had to turn it off. Paging Bette Davis and Joan Fontaine! Plenty of films great and small have gone spelunking in the quiet desperation of middle-class suburban motherhood, but few have plumbed the milieu with more consistently uncomfortable results than writer-director Debra Eisenstadt’s “Blush” (originally titled “Imaginary Order”). Please try again later. I hope the film (which I think was originally released in April and just showed up on Prime, where I stumbled across it) will find its audience. Review by Lisa Payne Cathy (Wendi McLendon-Covey) has the typical family where her 13-year old daughter, Tara (Kate Alberts) is growing up too fast, and her husband, Matthew (Steve Little) is probably having an affair. it starts to come off the rails and the characters, once compelling, become much less so. If it sounds like something you would be interested in by all means check it out, otherwise skip this one. Only Qiuyi makes it. One thing about Blush that I adored is how public Naama and Dana are with their relationship.

She tries to remain relevant volunteering, as she lost her separate identity when she got married and had Tara. excellent acting all around but somehow falls flat. As Xander’s feelings for Cathy grow, he threatens to disturb her life by encroaching on her family.
McLendon-Covey’s performance is what Blush hangs on, and she does a stellar job managing the separate strands of her life whilst inwardly wondering WTF is going on and how can I get out of this intact. Neumark takes on the subject of the three-person relationship. The title “Imaginary Order” seems to refer to Lacanian theories of early childhood psychology, so it’s notable when, late in the film, a character finally asks Cathy point-blank, “Who are you?” The trouble is, neither we nor she ever get anywhere close to answering that question. Anticipated Movies 2020/2021/2022 and beyond, Sundance Film Festival: Dramatic Competition (1985-2020), The 2020 ‘Is It Worth It?’ List (Letterboxd Edition), Anticipated Movies 2019/2020/2021 and beyond, Sundance Film Festival (U.S. The movie spirals out of control as much as the lead character’s life. The casually pragmatic Qiuyi proves a more fragile flower than she appears, while an iron butterfly emerges from beneath Xiao'e's prim facade. Blush1 is a comedy.

Everyone is just clinging to each other as hard as they can, lest they let go and drift off, alone, forever. Still, what a wonderful look it has!

Later in the film, the women meet again. She could, of course, have taken real work (the other Red Happiness girls work in a textile factory), but she pays the price of becoming an outcast. Entirely unique. SUNDANCE #5good examination of how often we fall into routines that don’t fulfill us. Two women escape from an upper window onto the roof, their bright dresses a splash of color that helps us see and feel everything else. Dramatic Competition).

The film will be available June 5-7 at Seed&Spark. it starts to come off the rails and the characters, once compelling, become much less so. Photo Credits: Netflix; Pop TV; Robert Viglasky, Hartswood Films; Fred Hayes/Disney+, Fox, PopTV; Bettina Strauss/Netflix; Nicole Rivelli/Amazon, Netflix, Frank Masi/Apple, Disney, Jasper Savage/Hulu; Diyah Pera/CW, Maya Rudolph Turns the Final Trump-Biden Debate Into a Drinking Game in the, The Best Shows and Movies to Watch This Week: HBO's. It tells the stories of two prostitutes whose brothel is closed after the communist victory of 1949, the way the new collectivist society changes them, and the way their lives become entwined with the same man.

Nothing against concealer or mascara, but blush might very well be our desert island makeup must.It’s one product and step in your routine that can make a major (and we mean major) difference. These shots and many others (a bridge over a stream through Beijing, a canal with houses built close by, the interiors of ornate old houses that have been much lived in, a courtyard with views into living quarters) are like living, tactile paintings.


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