“Te doy mis ojos” is set in the Spanish city of Toledo, famous for being the sixteenth century painter El Greco’s living residence. Take My Eyes On en sort rompue et KO comme Pilar. One winter night, Pilar runs away from home. Pas de manichéisme. However, we can also see through a discussion of the greater historical context of Franco’s rule in Spain, and the interconnected relationship between Spain’s experience with Fascism and the promotion of traditional gender norms that there is a historical process related to the construction of patriarchy. Check out our picks for movies that (hopefully) won't keep you up at night. I look forward to spirited discussions of the film and seeing you on November 7th! Search for "Te doy mis ojos" on Amazon.com, Title:
This discourse is reflected in the tension between Pilar’s need for safety and her relationship with Antonio. Through her new job she begins to relate to other women.
We the viewers need to dissect it and struggle with it.
TAKE MY EYES (TE DOY MIS OJOS) is Pilar and Antonio’s story, but it is also about the people around them: a mother who condones the situation, a sister who … Scotché à notre fauteuil, l’angoisse au ventre, comme elle, de voir surgir Antonio qu’elle fuit. Quand le coup va-t-il partir ? It looks like we don't have a Synopsis for this title yet. With her, she takes only a few belongings and her son, Juan.
This position helps her to meet new friends and gain a previously non-existing feeling of self-confidence. Quel partenaire privilégié au 21, Marche du 23 novembre contre les violences faites aux femmes.
Instinctivement on rentre sa tête dans les épaules et on éprouve la peur de Pilar ... quand est-ce que cela va éclater ? L’entourage, partagé entre ceux qui pensent que la femme doit rester avec son mari (personnage de la mère qui pousse sa fille à reproduire ce qu’elle-même a vécu dans son propre mariage) et ceux qui poussent à sortir de cet enfer avec parfois des maladresses face à une victime incapable de savoir ce qu’elle doit faire tant elle est un état de confusion (la soeur).
[2] For a great film dealing with the experience under Franco in a very round about way look up El Espíritu de la Colmena. Starring: Laia Marull, Luis Tosar, Candela Peña. Me parece que "te doy mis ojos" es una metáfora referente a la forma en que la protagonista entrega TODO de sí a su pareja hasta el punto de no ser capaz de VER lo que está perdiendo, los riesgos que corre, etc. Il y a des jours où l’on voudrait avoir des dons d’ubiquité.
Women on the Verge of a Nervous Breakdown, https://en.wikipedia.org/w/index.php?title=Take_My_Eyes&oldid=961388983, Films featuring a Best Actor Goya Award-winning performance, Films featuring a Best Actress Goya Award-winning performance, Films featuring a Best Supporting Actress Goya Award-winning performance, Articles containing Spanish-language text, Creative Commons Attribution-ShareAlike License, This page was last edited on 8 June 2020, at 05:43. Gradually, the motivations for his irrational action, although becoming clearly understood, are still properly advanced as totally unacceptable.Laia Marull, as the abused wife, is not stereotyped, either.
“I’ll change.
It was the proper ending, too, I think, for reasons you will understand when you see the movie.
Pilar soon warms up to him again, and they begin to sneak out for secret meetings and romantic encounters. Alerte à la fermeture de l’antenne sécurité sociale de Villejean !!! However Antonio, a brute and short-tempered man, will try to prevent Pilar from having a life without him. Change ), Bringing Spanish films to the English speaking world, I’ll change.
Wiki. Juan misses his father and Pilar begins to soften her attitude towards her husband.
By using a foil that is tied to an idea of a greater Europe, she is able to call for a less patriarchal world that is beyond that state. After this humiliation, Pilar threatens to leave Antonio, who responds by attempting suicide by cutting.
C’est un film dur. The story of two men on different sides of a prison riot -- the inmate leading the rebellion and the young guard trapped in the revolt, who poses as a prisoner in a desperate attempt to survive the ordeal.
What is our context? These are some of the promising words that Antonio (an amazing Luis Tosar) utters to his wife Pilar (Laia Marull) in the film “Te doy mis ojos” just a few days after she escapes from home with her son. Sans pathos, elle démonte le mécanisme de « l’emprise », cette alternance de mauvais traitements (insultes, dénigrement, coups , humiliations) et de « lunes de miel » (excuses, repentance, cadeaux) qui crée un dépendance affective au mari violent tout en détruisant la personnalité de la victime.
Perhaps some might view this as a weakness since domestic violence is a global issue. Despite Antonio's efforts to follow the advice of therapy, his violent personality and insecurities end up publicly undressing and humiliating his wife on a balcony. Private detective Inés infiltrates the employees at a multinational corporation. Despite Ana's protests, her mother Aurora invites Antonio to Juan's birthday party. L’autre qualité du film est sa finesse. For example, there is evidence that while the film was in theaters there was an increase in Spanish news coverage focusing on the issue of domestic violence. This topic has been addressed before, but this movie deals with the subject matter better than any other I can recall seeing.An effective performance by Luis Tosar, as the abusive husband Antonio, develops the layers of emotions in this imposing and frightening character in an effort to understand why this violence is occurring. Antonio soon sets out to look for her. Take My Eyes (Spanish: Te doy mis ojos, literally I Give You My Eyes) is a 2003 Spanish romantic drama film directed by Icíar Bollaín, starring Laia Marull and Luis Tosar.Critically acclaimed for its unclichéd treatment of domestic violence, it won seven Goya Awards in 2004, including Best Picture, Best Director, Best Lead Actor, Best Lead Actress, and Best Supporting Actress. This film was also nominated for the Ariel Award in 2005 in the category Best Iberoamerican Film.